CHOPIN - NOCTURNE OP.9 NO.2 (PIANO TUTORIAL LESSON) (COMPLETE)

CHOPIN - NOCTURNE OP.9 NO.2 (PIANO TUTORIAL LESSON) (COMPLETE)

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00:01
[Music] hello everyone and welcome back to piano secrets in this video I will be teaching you how to play sharpens oppas 9 number 2 in E flat major the first thing that we should know is the scale and the course that he's going to be using so
00:50
the E flat major scale is like this and if you have to find the E flat major chord it would be a flat G and B flat now if we do the first inversion of the chord we'll have to flip the E and put it on the top and we'll have this first inversion and if we flip it again we have this and that would be the second inversion and that how he's gonna come
01:26
up with this melody which is start using this notes ok so we got the first melody with just the second inversion of the chord let's play one last time [Music] now let's add if we play this with the right hand that means we could also have background that is based on that and he brings the same inversions to the left
01:59
hand and that's the same thing so I'll say we have this we could split it in this way like he did it so the G and a he flat and then the B flat E flat by itself so pretty much to this he had subbase so he does the base and up and grabs the same notes from the first chord that we mentioned if you have trouble you could split it at the
02:29
beginning and I'm splitting heroes all together will be like this it's important that you grab the first note with a pedal so allows you to jump and when you go and jump up this is down and that's and the movement of the hand now we put it together we have the B flat with the G and together with the E flat and we got that first part now we
03:01
have to solve the F going to the e-flat the F I could say from the scale if you have the inversion like this that will add tension to that progression so that's the very simple principle that the F is doing and then resolve it back to E flat now the left hand it remains the same for that part it does nee flat but then we have some different notes a
03:31
flat D b-flat D na flat and that's it then we're gonna go back to E flat so we have this sequence [Music] and if you wonder where's he coming from where he comes from their set of core 1 2 3 4 5 6 7 you have a diminished chord on the seventh degrees of the scale so he brings the a flat indeed these two notes over here and then he adds an A
04:08
flat again a D and a B the B is the extension Rocco so we could play that and then here and notice that this creates tension on your playing once you play it okay iris all back to the E flat major chord we did at the beginning and then we have the first measure so let's play the left hand by itself one time
04:42
[Music] back and then it's gonna do a pass it down to deep but it keeps the top chords the same Newton will get to see right hand then remind you what it was [Music] okay let's do it together now so b-flat by itself together together together
05:15
together and together with a bass and then the next meal is going to come up with the b-flat so keep in mind what I mentioned think that is the second inversion of the chord of this myth all this melody based on that and also the Leafeon based on that with a little change to the seventh or here and then back so other than that it doesn't
05:46
create any major problems now let's analyze a little bit the second melody now if we go a little bit forward and we'll play what's next we have this [Music] and from the start from the melody that we are playing there are two main chords that they outlined there when you play B flat G and the C which is the one that we stayed the longest that is a c7 chord
06:24
that is the court that also going to bring to the left hand so when you do all this melody think a lot of it on this chord ripped all C's then you have the c7 again and then to a flat which is part of the F minor so there are aligned two courts the c7 and their minor which is flipped okay so I've minors like this in his
06:55
foot all the way up let's play the way it goes now I just wanted you to be aware of that first so tension again release to the F minor chord now what we're gonna do is bring those chords and mentioned the c7 and what it's gonna do in the life here is the same chords in this position so he's gonna take the G and the e b-flat
07:28
and gee and he split in the same way we did it with others and that's why we have a/c on the base okay it's important you thinking this is c7 and the next one's called a little higher that's the same and flip the b-flat put it on the top c7 again so we could solve that two of the patterns with thinking on that now
08:02
if we put those two progressions there with the melody we could have this ornament and then here's gonna change we have like a left hand this see Simon still now I'm gonna go to F and he has to be diminished in it okay never saw him mine if my not remember
08:38
that came from the right hand now let's try to do it at the same time so if we have B flat [Music] now we're going to f minor there and we have covered two lines two measures so we have the c7 chord going to F minor is true that it has a diminished chord passing through it and
09:14
after this we're going to continue so let's say let's play those two measures first and then we'll continue with the next section so we have this so far [Music] now we're changing a little bit and as
09:45
you can see the last two notes I play was B flat and F and that gives me a chord which will be a B flat major first but also with an A flat that would be a B flat seven this note is going to be filled up by a B flat seven chord and if we flip the notes from a B flat seven chord we have B flat F and D and then B
10:16
flat D flat so that's why he split stuff like this and we have that ready to go so we play F and that's it next one we have a G and this G triggers the g7 this court but in this case he will arrange to be below G enough below here and the two notes D F G on the left so we have
10:49
this level okay and that fills up with the gene notice that they are all more pertinent to the g7 okay so if I play from B flat we have this B flat 7 g7 to C minor now there you have it and just remember the C minor it's part
11:31
of the flat major scale just place it me here I'll moved it around so we have this melody see minor notes there now we're gonna go to an a diminish you could also call it I prefer to call it hate diminish because as the base is on the is telling me a to create tension again so we have
12:12
the B flat seven G seven pretty least the C minor diminished now and then we're gonna have a little melody there so now let's play up to that point and see what everything sounds like so we start on B flat [Music] to increase the tension to a diminished chord movement on the bass D go to c7
12:45
now ornament vention here the Minsk or go to F minor B flat seven g7 C minor diminish now we're gonna do this little section which increases the tension as you go up and melody now we have one chord we play this notice that
13:24
all the notes we play pretty much they follow the same scale the E flat major scale now we have this core now which it looks like enough but it's really a sass corn you can be funny here so have this then we have the B flat seven notice I split
14:03
then back to E flat so we play it with the right hand we have that we've played together with much each note they will go back again to b-flat now it's important that you work very hard on the left hand on this section which is the first section because it's gonna repeat itself all the time the
14:37
only thing it's gonna have its little changes on the right hand but this progression will come over and over maybe three four times and I think most student get discouraged getting those chords first but if you pass this and you could do this then you could do all the others because they repeat with a little change in it okay so right hand melody and the left hand you could also practice by itself a little bit so you practice this
15:09
and notice that you land on this core you land or Wiese land on that land here again and it repeats the cycle again so all this next part I'm going to play it's gonna repeat just that we little variation may be improvisation on the right hand but keeping those the same so I played them by themselves so you could practice em over and over until you get
15:57
them and then you are ready to go and put it together with both hands it's very important that you keep in mind the scale and keep in mind that the melody follows those note now you might say why is it that you do this D flat it's just passing so I'm not landing on it I'm
16:26
running on C and C again so it's okay [Music] so all throughout always did a flat major scale and also the codes that come from it so you can analyze this ball from the scale to get a sense of it of what you are doing on the left hand and the melody combined it's obvious to me that he knew this course every flat
17:06
major now if we go one step up you have F minor we did use it on on the piece then we have G minor a flat he's gonna use that a lot B flat we use that to C minor we use that D diminished on flat so that you could do it also within this tutorial you could practice okay let's continue now and the second
17:47
part is going to be the same on the left hand so let me play a little bit for you so you have this [Music] so pretty much the leffen is the same so you did a good work on the first part of
18:34
the video then this part is be much easier because it's just doing the matching of the notes and the changes of the manatee the first melody we did this [Music] now he's gonna kind of embellish it a little bit more and it's going to do the same thing notice that we're using the same notes which is adding an e to it
19:04
and a turn so we do and that's what we have we still using the same inversion from before so it's very clear to me that he wanted to change a little bit they keep the same sequence in his mind while he was doing this like qadian this the chords are the same so we have the flood
19:47
the only thing is now instead of going to the D all the way down we're keeping it close together but that's the only change now let me show you how he matches it so we come from before he flat machi together the first half together the half with the a flat D F again if again so pretty much every F match the left
20:20
hand okay so if I played this more quickly [Music] and there is good reason to much they F each time because on the top when we play this F and F again so it also was matching there now let's go to the next melody and pretty much the same here we did
21:02
[Music] okay all we did on the other one was a flat and then coming back now he embellishes it through a little bit more so F B flat okay and notice that all of this followed the following the same scale all of these notes okay and we're gonna add D and still a flat that's it one last time he flat matches
21:44
the first one and he fled again matches after we have that now we're gonna use the c7 like before same chords right but instead he's gonna changed a little bit the scale and it's gonna do this and it's easy to understand this line if you think on a c7 chord the dominant seven
22:26
because he just bends each one it's almost like if I added a note let's say [Music] the c7 is outlined and resolved to an F minor chord okay so simple to memorize so we add the one below one about one above one about a
22:58
bomb b flat and a flat that's why he was genius because of the way he combined the sounds and many times we say what do I do with a c7 chord well this is how much he did and it sounds wonderful so if I that's just to make you notice what he's doing but really we should virtually think just on the melody and the slurry at the hip boots on [Music] and you take any time time you want
23:37
speed up or slow down or crescendo up to you now if I take those notes that he does to embellish it I will end up with just this but he Bella's just so well with us notes in between with an accent which creates a wonderful contrast now laughing I'm gonna I'm not gonna explain it because if you did the first part you
24:10
have c7 and it was like this and then we have miner go here and that's it so to put it together we'll start with the G [Music] okay we'll take a look at that now the next part we'll play first the right
24:45
hand so we have the trails [Music] and this lines repeat again from the part before so laughs yeah the B flat seven that we played before the g7 same one C minor from the scale a diminish and everywhere to be right here we have the G drill it's important what
25:26
you do the trail try to rotate the hand the second G a little louder get to E flat and C so when you do this you run the trail much much each one March again together and then we have the same line from before the only thing he has an a here
26:00
as an ornament and that's all we have so the difference between the two is at the beginning we started further simple now [Music] from all of that here this now we go
26:35
back to the same melody let's continue and go to the third part we have here when we end now the e-flat okay now the third part is also going to repeat two times later on with different notes little variations not too much and pretty much when we do this when we get to F it's gonna trigger up in your mind side it's
27:15
gonna trigger a B flat chord and if we do the vs. all the way down we have this that court two times you see the B flat major chord and then vs. there so I we do that we're going to G F and then F major so right hand melody this f3 get the
27:58
e-flat the B flat major chord [Music] - an F major chord and if we do it the way he wrote it b-flat to have major and that's it so let's put it together very slowly - aji see okay that's all we have the last one was like this
28:37
next melody we have three e's and those three years he's gonna put also an A flat chord a flat chords like this but he's gonna split it so he's gonna do this instead and he's gonna play a blow bass a flat and that's it next chord will be a flat minor so he moves this D here and then back to E flat like we did before so this will match so much much much
29:24
much that's it and just keep in mind that if you do this section it will come up again when it comes up again I'm gonna play as quick as possible so you can see it let's continue now then he's gonna go to this melody and then arpeggio
30:02
now what we're gonna do is the b-flat we're gonna put an e diminish and it diminishes like this but I want you to think that he opened it so that's why he's gonna do this one step like this so he's gonna do e and he's gonna do c7 - f72 G minor C minor f7 b-flat D seven major c7 f7 D flat seven
30:57
and then back to the E flat I understand that maybe this progression was a little bit more difficult they a diminish at the beginning when we do this it's like this you just bring this G here and here at least two of the middle notes so he does listen the c7 instead of this he does the e on the bass and then he splits E&C
31:30
the flap see and gf7 the same if something is like this he played a from the base and I split that and open up here g-minor this that's this so it's a little bit more complicated progression C minor f7 with that and then we have B flat one by one all the time be salmon
32:01
emajor he put the G on the base C seven same chord with the G on the base will be an f7 again and B flat seven B flat so all together will be you can slow down if you like you still the layout to you so those are we cover the third part and those cores are going to repeat all the time so with this you have most of the song down now the next section there's only a little difference
32:50
and then it's the same thing these two little things so first is the arpeggio and this melody is the same thing as the second section after that so notice here [Music]
33:18
again creating tension from the diminished chord of a plane and 11 notice that he lands on B on D and then on f2 v softly to do it together every other note though that and then you repeat same thing with it already all of this same thing
33:57
trill from the first part but here's gonna change [Music] and resolve it so it's important that we work out a little bit that so we have a B flat and D a C sharp comedy scale to a flat then we have this diminished inside second finger and those little parts it
34:37
could be done by using rhythms to practice it or the opposite reportedly keep the hand relaxed and then by groups like he did from C to a clamp to B to E flat all together would be this [Music]
35:16
okay so we have this rhythm chromatic scale um so we go from A to D and every release here so happy that's what we have the quotes are the same from before if you go back to the same chords again and we already covered and repeated
35:56
several parts with little variations now but we're gonna do is the ending now he goes back to the same principle now and he's gonna play his notes okay for the first a flat he's gonna used and a flat minor chord and if we start the base we could do the bass like this
36:27
in version two times that and then they're released to in flat major if we put it together we put together the first two notes by itself together together together and together the whole binder now the next part is gonna use the semi flat and the same notes pretty much but it's gonna add a little bit extra note so we have
37:00
this now so pretty much a a flat and each II will match with the core song I'm okay and when punch this one so let me do the right hand here let's do it again [Music] now if we add the chords to it so let's
37:45
say we come from B flat same God together together okay so let's try to break that down a little bit so for the core part we have the e-flat same with a higher note now we have B flat seven that's the core we explained before come back to E flat that's it and
38:40
then f7 b-flat sus b-flat and back to the front again cycle now when we do it together let's think a little bit on the melody so let's put it together there together it one by one we got the part then we have this so when we get to b-flat together together
39:22
together each note now here together every other note together and then every other note again okay and we get to almost the end of it now here's gonna be eight notes again three and I do it kind of the way and it's more natural
40:01
I doubt but I could say that if I do it slowly left somewhere in between I put again the left hand and then go for it some people wanna have a general idea and a match play two or three notes play two or three notes and then go for it I think it's a little bit difficult to do
40:34
it very slow you could try that and then go for it naturally and see what comes out [Music] okay now let's get to the ending part now it's important here that you think a little bit on the nose all the way there a flat ornament okay
41:09
elephant with this back to you flat okay let's put it together very slow [Music] to opt a biopic now here we're gonna have groups of four notes that you could start it slowly and as you go speed it up but it's important that you count them so that means we have B b-flat C a these should be done by rotating each time so right left
42:11
right left right left right left that's why you could play it very quickly if you would like one two three four five six you could practice this you practice this with rhythms so we
42:42
have to do one one and once you get to here make ad extension because here slows down B flat it's an eighth note and it's slower you could also practice it backwards like this and always make
43:22
sure you do twelve times one two three four five six seven and you could do it every four four five six lemon drops now here they slow down now when you do it all together remember that you're coming from a slow section you start slow here gradually 1 2 3 4 5
44:05
6 7 8 9 10 11 12 and then we get the flag if lat appear and also if that here I hope this video was helpful and if you enjoyed subscribe thank you very much

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