Drawing Shih Tzu Hair with Pastel Pencils

Drawing Shih Tzu Hair with Pastel Pencils

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Language: English

Type: Robot

Number of phrases: 208

Number of words: 1560

Number of symbols: 6587

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00:01
[Music] now the first thing I'm going to do is get rid of some of that graphite now I could be using a my eraser here but in a situation like this where I've got a lot of it I mean I'm using the my soft eraser and you'll see that I'm still leaving traces of the graphite left that will be
00:35
covered up by the wiper this difference between the tooth I can't take it all out altogether result definitely lose me way we must do this must protect our picture that's okay so let's start off I'm going to fund you normally start with a year but I'm not going to this time I'm gonna start by putting some white for working strictly and boy do I mean another area here that I'll get rid
01:09
of - yes when I say strictly in the situation like this it really is strictly in the direction of the hair if you don't do that you're in trouble right from the beginning so I've already disassembled or give it an idea of how this is going to work by using my graphite pencil that's another area you really must get rid of all of these really strong markings when you're
01:41
using white unless you're putting grey over the top okay the only other no it comes you see it comes in from there comes up and over no this is the important thing like that it's no good just it it isn't a good following just the Pope well I'm just going to fill that in with white willy-nilly it's got to have that kind of effect so straight away because I'm using the color of the paper as well to show you you can see how that is
02:13
building around there that's gonna be late obvious now when I bring mixed coloring which is going to be ivory now ivory working in the same way now how are we gonna put white back on we certainly are but at this moment of time what I'm trying to do at this initial stage is to just get set the pattern something I've just realized that I overshot their little I don't want to do
02:44
that that's quite tight the hair doesn't it does here extend but it doesn't here now you want to keep that fairly close right back to the ivory and then another color which I'm going to use which really should be a confidence is the gray this is 2:30 there's a lot of color
03:12
going into this if Pink's and stronger Gray's and it's like a almost like a peachy color now you see how I'm feeling that paper up but I'm filling it up not with solid white but with the other colors as well all these three colors that I've used here Oh brilliant base colors so that means in a minute we can start building stronger colors into it but not just yet because now I'm going
03:47
to use the pink the pink I'm when he was is one three two and don't want too much this that is not gonna show up really pink because of all the colors we've already put on but each time I'm following the strict fur or hair direction now the reason it's not so solid in here is because I'm gonna have another color there and this is the gray and this is two three three lightly
04:20
lightly afraid we're gonna have to make it a bit bit a bit darker than this but lightly to start off with and that can come up and it come into the area we're done now immediately after I've almost reached the color I wanted there that didn't take long did it there is the coin site here that we just show you the picture for a moment there is inside here almost
04:52
like a peachy color and there's certainly another color here which I haven't used yet that would be one makes of them when I get to it but this is what I'm looking for with that color there so let's see if we can get it see if you can imagine what my next color will be to create that tone well I just finish this off there a very nice that's a strong color it's very close to me and
05:23
they were looking for remember we can put white back into it again right and what color is that I tell you what color is folks that one what's that one ain't nothin now if you've seen other pictures of mine you'll see that I've used this quite a lot the combination of two three three and one three nine and that creates that peachy look that I'm looking for
05:54
I've already put the one three two one which was lovely but this is a little stronger just show you the difference between the two that's one eight nine nonetheless one three two you see the difference in tone that's important but that is less vital and then we blend it now I have got the new blender here that I've been using it doesn't replace any of the others accept it it's like an additional color but I wanted to just make sure I don't have any foreign
06:27
bodies in there there we go now this is it you can see the shape of it and what it is it's very soft at the end this is the the other color shape where we've been using which is a little harder it's not a hard I mean the hardest one will be that one this that's gray then it's that one which is a little softer and that one is very soft you can see that so we've got it another kind of shaper and this is on the house door now it's
06:59
European pick it up if you feel you need it and here I'm just using this propeller shaper to just blend in again working strictly in the direction of the fur your color gets fed up with me telling you this but I'm going to keep reminding you but look at the way that's coming up now that is almost almost folks what we need now you wouldn't have thought that that would be possible but it is we need a bit more strength and we're going to
07:30
put that in the minute but that creates the effect we want this is what we're looking for I remember now I said to you we're also going to introduce another color which we are and that color is going to be 187 now this is very subtle there's not a lot of color in it but you've added to the tones of we've already got in the picture it's a welcoming addition he
08:00
really there doesn't extend very far just a little perhaps a little spot or two like that but not much and the other thing is you've also got what we call artistic license their artistic license means if you want to put another color in you can and if you want to exaggerate a color you can but that is really looking less now I need to make that a little dark at that so I'm going it back in with the gray again and this will
08:33
just deepen that tone a little more this is put the two three three gray what we're looking for is that this is the combination here remember I'm putting white back on here again so this needs to be not a lot darker than that to be honest a little bit more marked one month eight seven in there before we come back in with the wall ain't going one eight nine now is mixing with that
09:07
gray giving a set term that we're looking for and now what's the I goes in will almost certainly have to revisit this area but for the moment I'm going to leave it like that except I'm also going to very carefully blend that color in there we are lovely with there and
09:38
the white can go back again he wouldn't have thought that that was possible what you could look at that that white going there why is that working Cohen when I try it I hear you say it doesn't go like that well if it it's because I haven't put over that'll be a lot of white on there I was going to see an overly amount of white then I don't know that some programmer but so that allows me then to put the white back you see that
10:10
yeah that's nothing great your neck here don't want too much in there because we don't want that to remain right now just here it's pretty light then we're putting some contrasts on both sides of this so I need to come in here and to make that just a little bit brighter so they were out that's the first little bit done and now what I'll do is the other side because I think I'll do at the top of the head before I do the ears so I'm going to do this exactly the same way as I done that
10:43
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